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As arts funding becomes harder to obtain, the role of philanthropy in supporting the creative developments of more challenging projects becomes increasingly important.
A recent panel discussion at Sydney Contemporary unpacked the ideas around how the performed body can either uphold or defy systems of oppression and identity.
Artist-come-designer Mark Thompson has created the sets and costumes for Opera Australia’s new production ‘Metamorphosis’, based on Kafka’s iconic novel
In his keynote speech at the recent PAC Australia conference, Dr Richard Walley OAM urged arts leaders to step back and let First Peoples set the cultural agenda.
Violin virtuoso Ray Chen discusses how social media provides audiences with wider access to classical music, and shares his advice for budding artists.
Why do some events resonate so strongly with audiences that they become instant favourites, whereas other programming decisions quickly fall by the wayside?
A major new arts precinct in the heart of the Pilbara demonstrates how the arts enrich community while also strengthening the WA touring circuit.
Embedding culturally diverse young people in the theatre-making community requires more than just offering them opportunities to write, act or direct.
Despite being under-resourced, the experimental and contemporary performance sector in Australia punches well above its weight.
Two upcoming productions use the unusual setting of a swimming pool to tell an immersive story.
Almost two decades after leaving Tasmania, Adam Wheeler returns with an enriched skill set. He talks about telling stories, rejecting failure, and working with the next generation of dance makers.
It is vital for the health of opera as an art form that new Australian work is both presented and revived.
'Start now,' is the message when it comes to philanthropy and creative partnerships. Make it part of your DNA.
Helen Pitt tells the extraordinary story of the 20th century's most recognisable building.
Is the increased focus on performers' sex appeal a tacit acknowledgement that classical music can no longer connect with society on its own terms?
With dozens, sometimes hundreds of choices, navigating an arts festival program can be overwhelming. Arts industry figures offer their tips for making the most of the smorgasbord without getting indigestion.
The annual Australian invasion of Edinburgh is about to begin. What attracts them in such numbers? And with over 130 Australian shows to choose from, which should you see?
Andrée Greenwell releases new song collection in response to gendered violence debate.
A short documentary by filmmaker, Vonne Patiag, explores the experiences of actors of colour and how they feel about their physical representation on screen.
How does the lack of a Fringe Festival impact on a city’s cultural ecology: is its absence actually a positive for independent artists?
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