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Showing all news in Features
Eva Di Cesare, Artistic Director of Monkey Baa Theatre Company, tells us how the pandemic has changed the company’s approach to touring.
Three Australian artists explain how they have adapted their practices since arriving in the UK in the midst of the pandemic.
How can you joke about a pandemic? Eight comedians tell us how.
For Malthouse Theatre’s immersive new production Because The Night, its designers have transformed the venue – even incorporating some of the outdoor spaces – to create a haunted new world.
The outgoing Director of Melbourne's newest arts precinct reflects on his time at the organisation, finds himself 'very, very happy' and details the challenges of shaping a new cultural community.
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K. Rowling’s transphobia on the Harry Potter brand.
He has been described as "the storyteller", blurring the boundaries of performance, photography and text to explore sexuality and identity in his work. We speak with William Yang ahead of his QAGOMA exhibition.
We speak with five arts organisations that have all reached the middle age milestone, to try and glean the lessons for success in a notoriously impermanent sector.
Dancers, actors and artists are turning to TikTok to gain audience reach to promote their practice. We speak with two artists who have successfully adapt their practice for the platform.
If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust arts industry that is ready for anything and anyone, argues Fleur Kilpatrick.
Can 'hyperlocal' arts programming save Australia’s previously thriving festival scene? Or are audiences still looking for the big names from overseas?
Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged determination means the shows can go on.
It’s inevitable that you’ll make some mistakes along the way, but if you’re considering creating a new indie theatre company, here’s some expert advice to help you avoid the deepest pitfalls.
Three theatre directors, an author and a visual artist speak of love and intimacy in our current pandemic, and how the arts can maintain connection when we physically can’t.
Is it just a calendar date, or is it opportunity to promote acceptance and diversity via the arts? We speak with Asian Australian artists and arts managers this Lunar New Year.
As an arts lawyer, Roxanne Lorenz helps artists and creators to understand and protect their rights. The job requires an ability to convey complex legal concepts, attention to detail, a lot of reading and most importantly, a passion for the arts.
Our Performing Arts Editor Richard Watts selects more of the shows he’s most excited to see in 2021.
The world's first robots, created by playwright Karl Čapek, appeared on a Prague stage in January 1921. This long read asks: why are we still in thrall to Čapek's once-original narrative?
Our Performing Arts Editor Richard Watts selects some of the shows he’s most excited to see in 2021.
After six years as Artistic Director/CEO at Brisbane’s La Boite, MacDonald is moving on. He looks back on his time at the company, discussing his regrets, triumphs, and hopes for the future.
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