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Showing all news in Features
As his fourth and final MIAF enters its last week, Holloway reflects on his time in Melbourne and what working in Australia has taught him.
Cinematographer Meg White has turned her anguish into art. She hopes that talking more openly about mental health in the workplace will bring relief for others.
With so many benefits for the mind, spirit, and art itself, creativity has the power to heal us and improve our overall mental wellness on a large scale.
Being a performer can teach handy techniques that can help when coping with anxiety.
The Australia Council’s five-year strategy and the SA Arts Plan foster a culture of corporate speak and divisive competition.
We look through our best stories to find these tops reads on how the sector can confront climate change from activist museums to an immersive work set in the eco-pocalypse.
What are the performing arts doing to help combat the climate crisis?
From Muriel's Wedding to Moulin Rouge, musicals are increasingly looking to the silver screen for inspiration.
Nothing comes easy, especially with disabilities art. Three international leaders talk about the burdens and wins of activism, visibility, failure and collaboration as pathways to greater inclusion.
It's peak Fringe season, and for some indie artists that means working on two shows at once.
From being disability-led from the top down to making everyone share responsibility to be leaders for change, those doing it well in the disability sector speak out.
Revolutionary change was the theme of Bryan Joseph Lee’s keynote at Performing Arts Connections Australia’s conference this week.
Kim Carpenter, the founder of beloved visual theatre company Theatre of Image, is closing his company after 30 years.
From immersive theatre to burlesque, to a cabaret for children, the end of the world is trending at Melbourne Fringe.
This week celebrated Aboriginal actor Ursula Yovich will perform on stage for the final time.
What can you do as a consumer to support a living wage for artists?
Gender diverse and non-binary creatives share tips on ways to make a workspace safe, inclusive and respectful.
Hyperlocal, decolonial, diasporic, idiosyncratic – how Australia’s international arts programming is changing.
‘Intimacy can be anything from holding hands, looking into someone’s eyes, sex, dancing, masturbation or nudity.’ Miriama McDowell tells us about her new role in the arts.
As arts organisations across the nation await news on the Australia Council's EOI process for four-year funding, one company reflects on how the loss of such funding ushered in a period of exciting growth.
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