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Showing all Performing Arts news in Features
After eight years at Griffin, Lee Lewis is moving on to a new role at Queensland Theatre. She reflects on the challenges, triumphs and falling in love with plays.
From independent productions to the touring commercial juggernauts, here are some musical dates for your diary in the months to come.
Fame, fortune and your pick of the best projects – or over-exposure, exploitation and unhappiness? What happens when you win an Academy Award?
Jane Harrison’s ‘new’ play was left sitting in a drawer for six years following a rehearsed reading, with promises to stage it failing to eventuate until now. She tells us how she coped.
From major new ballets to fringe festival delights, here are some of the anticipated dance and circus highlights of the year.
From the world premiere of a new opera by Tim Finn and a significant exploration of women’s contribution to classical music, to Gustav Mahler’s epic Eighth Symphony, 2020 offers a range of operatic and orchestral delights.
After seven years in the role, the Maestro is moving on. He reflects on the highlights of his time with the MSO and the challenges facing the orchestral music sector.
We salute the lives and careers of the artists, performers and patrons who took their final curtain call in 2019.
Based in the regional NSW city of Albury, the Flying Fruit Fly Circus has become a remarkable Australian success story.
The resilient theatre company is celebrating three decades of significant engagement with young people in regional and remote NSW.
Assembling an entire subscription season in just three months was the first of several challenges actor-turned-Artistic Director Mitchell Butel faced in his new role.
A new song-cycle explores an important Australian invention, the now ubiquitous black box flight recorder.
Perth’s home of independent theatre has nurtured the careers of countless artists over the last three decades. Now its management are focused on ensuring the Blue Room is future-proofed for coming generations.
Given the current state of arts funding, Artistic Director Luke Kerridge is taking hope from the turbulent birth of Barking Gecko Theatre in 1989.
Festivals play a vital role in commissioning and co-commissioning work from small to medium companies and independents. Without them, the arts ecology would suffer.
On the cusp of its second iteration, we look at how this art event is busting open 'outpost syndrome' by commissioning international artists to focus on local histories.
As he leaves his role as AD of Queensland Theatre, Strong reflects on his triumphs and regrets after four years of leading from Qu
Speaking out about sexual harassment and assault in the arts sector can be frightening. Here, three women describe the personal and professional impact of calling it out.
The Parramatta Female Factory Precinct is a site conflicted by trauma, but is now being turned into a cultural venue for social agency to empower women.
As his fourth and final MIAF enters its last week, Holloway reflects on his time in Melbourne and what working in Australia has taught him.
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