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Our online conference will make sense of 2020 and think through the arts as an essential part of the ‘new normal’. With guests from across Australia we look at funding, culturally safe spaces, and digital as a way to expand access.
With unemployment at an all time high curing COVID, these creatives devised new business plans so they could keep arts workers employed and donate money to the charities which helped support them.
Peak orgs are the glue holding a broken sector together and offer advocacy and initiatives for change as we emerge into the world post-COVID.
As we move towards greater gender and race inclusivity at work and in the arts, the representation of disability should not be left behind.
Agency has emerged out of an identified need expressed by cultural leaders, which resonates with Government priorities, academic research and the voice of innovative philanthropists who care deeply about Indigenous people, art and Country.
The 2020 Melbourne Fringe Festival embraces the new and delivers COVID-safe art experiences in unusual ways.
Queensland Theatre’s first post-pandemic play is a localised production of the electrifying Scottish drama, Mouthpiece.
As the country grapples with pandemic uncertainty, WA’s current position is fortunate. Two of its major performing arts companies may offer a blueprint for recovery.
American theatre-maker Michael Rohd reflects on the importance of listening and curiosity, and the role of art in our turbulent times.
Australia’s writing community was shocked to hear of the death of Dr Ania Walwicz, writer, poet, performer and teacher, who passed away on 29 September.
From artists submitting an access and inclusion rider alongside their hospitality rider, to international examples of best practice, there's much the Australian live music sector can learn about inclusivity.
Living legend Jack Charles talks about earning the honorific ‘Uncle’ in the latest edition of our monthly podcast, The Artshubbub.
He's performed with Opera Australia and the Australian Boys Choir and most recently a segment on the ABC's 7:30, but George Stirling's other passion has nothing to do with music.
Using headset technology for the past decade, experimental media artist Jane Gauntlett shares her journey on fusing performance with technology to create n intimate experience about living with disability.
Jazz artists have been devastated by the pandemic according to a recent survey, but are well placed to bring back live music, being familiar with small venues and seated audiences.
A personal invitation to the NSW Minister for the Arts, Don Harwin, has been extended as PACT works to regain its lost multi-year funding.
While the conditions for opening up theatres may not be ideal, they beat another half-watched livestream playing to a handful of people, writes UK composer Neil Thomas Smith.
The 2020 Brisbane Festival aims to 'surprise and delight' its audience, says Artistic Director Louise Bezzina.
First published in 2015, it would seem we have not yet learnt to manage workloads and expectations – we're still burning out. Celebrating 20 years of ArtsHub, we look back at this conversation and how it has shaped our sector.
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