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Showing all Performing Arts news in Opinions & Analysis
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Opinions & Analysis
In a post-coronavirus world, opera has a unique opportunity to redress and re-birth for lasting change.
Musician and teacher Adam Simmons provides an excellent case study into the impact of COVID-19 on an art form, talking structural stress and reasons for hope.
The viral spread of music and dance across the internet represents a more hopeful contagion as we adapt to physical isolation.
Despite all Arts Ministers meeting yesterday, Queensland has been the only state to step up with a stimulus package in the awake of Coronavirus' decimation of the sector.
University of Sydney’s David Larkin asks, is Beethoven at risk of overexposure?
Veteran arts marketeer Justin Macdonnell gives us an uncompromising look at the refashioned Australian Performing Arts Market debuting this month, and asks whether it is the right way forward.
Australian composers need to approach their work strategically in order to extend the shelf-live of each new piece of music they write, argues Cameron Lam.
From the 2020 ISPA Congress in New York City, Circa's Yaron Lifschitz discusses the urgency of empathy and art as a force for good.
Spoken word artist Miles Merrill and teacher Narcisa Nozica know how to stand up in front of a crowd. In their new book, Slam Your Poetry, they look at how to present yourself with true stage presence.
An industry response to the omission of Best Production for Children and Best Production for Young People from the 2020 Sydney Theatre Awards.
If a sustainable arts practice were a meal what ingredients would it need? Dancer and choreographer Alison Plevey thinks arts practice can be a hearty lasagne, a rich comfort food that keeps you going.
At the recent Theatre Network NSW's State of the Sector conference Antonia Seymour argued for a not just funding but a more supportive culture around the arts.
The fourth edition of the biennial regional festival Cementa has just wrapped up, but for a post-industrial town the event misses its context and struggles to include residents.
Has the internet damaged arts criticism beyond repair? In her new Platform Paper, Alison Croggon argues that the web has oversimplified cultural discussion and chased clicks over critiques.
Far from political correctness being the arch enemy of comedy, comedian and beloved rabblerouser Tim Ferguson believes that neither could exist without the other.
Addressing the climate emergency and improving relationships with Indigenous Australians and Pacific Islanders means building people-to-people exchange, according to our new British High Commissioner.
When actor Neil Pigot found himself diagnosed with depression he denied the diagnosis and tried to go on. With that ‘regrettable decision’ he prolonged his recovery and made it harder to find a way out.
Arts and wellness educator Molly W. Schenck talks about how to have tough conversations in art without traumatising collaborators.
With 2020 shaping up as a stellar year for Australian performance, Alison Croggon picks her highlights from reimagined icons, thrilling casting and all the tickets to sell your grandmother for.
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