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Showing all news in Reviews
This recording conveys the sumptuous detail and stunning power of the live production.
A thought-provoking and fascinating experience on many levels.
Sydney Chamber Opera creates a riveting online experience with works by four female composers.
With concert halls closed for the foreseeable future, the MSO is presenting livestream and pre-recorded concerts online.
Set in Far North Queensland, this comedy written by Laurie Trott was the perfect play to open the Bulmba-ja Arts Centre.
Saigon captures the way in which the diaspora is obsessed with its grief and dispossessed of its past.
Far from static, this grand Verdi opera is full of revenge, massive sets, feuding, and is brought to life with digital projections and live horses on stage.
This one-woman show is a politically charged and seductive performance, wrapped up in the innocence of a fairytale.
David Williamson’s hilarious 1987 satire receives a rip-roaring revival by Melbourne Theatre Company and Sam Strong.
Folds travels the geography of the piano at high speed, contributing convincing grabs of colour, spidery finger flurries and gliss
Both sumptuous and ascetic, Samsara is a contemporary dance duet that embodies the best elements of India and China’s special relationship.
An intriguing, highly elliptical account of Penelope's experience of waiting for her husband, Odysseus, to return from the Trojan War.
The Hitmen is a grotesque comedy with a quirky Australian flavour.
Kieran Hurley’s thrilling drama interrogates poverty porn clichés, the rules of playwriting, and asks who has the right to tell whose stories – especially when such stories cross class divides.
Technically adept and visually striking, this Belgian production uses miniature sets, live video editing and the performers’ fingers to bring an array of stories to life in an intricate handmade world.
Inventive puppetry tells a story of environmental collapse in a family-friendly show that ventures into bleak territory.
Exquisitely written and performed, this drama about identity, gender, faith and science is mesmerising and utterly of the moment.
An enjoyable version of Shakespeare’s plot-heavy potboiler moves the action to 1920s Hong Kong and 1970s Australia.
Modern-day social media spiritual guru The Truru returns in another satire.
Mallika Sarabhai’s mixed-media performance is a call to action against injustice everywhere.
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