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Showing all Performing Arts news in Reviews
It may be Bach heard through different languages, instruments and times but the glory still resonates.
Tantrum Youth Arts’ play about an election night dinner party speaks with authenticity and verve.
A complex exploration of power, corruption and criminality.
Despite a capable performance from Dan Thorpe, the debut production from RUMPUS is disappointingly jumbled.
Tom Stoppard’s play offers an immensely fun and moving night, and a self-reflexive meditation on writing.
An engaging exploration of teenage emotions in the age of social media.
Splinter is a haunted story of a family reunited in the wake of chaos.
Dublin Fringe continues with Derek Byrne’s debut play based on a real-life encounter at a cruising spot, and a madcap, high-energy performance from Lords of Strut.
Bryony Kimmings’s mammoth solo show has visceral impact.
The past meets the present, ghosts strut their stuff, abandoned spaces are revived, and Tasdance scores another hit.
A multi-layered, meta satire on theatre and acting.
The Critic examines the theatre world with incisive commentary and scintillating humour.
FOJAM is a vibrant showcase of artists from the Jewish diaspora that questions inherited wisdom and celebrates plurality.
Moira Finucane and co offer a playful, intelligent and optimistic attempt to disrupt extinction.
A uniquely personal and immersive experience that gently strips away barriers to communication.
Little Triangle has delivered a highly polished production of this rarely seen musical.
A daring, graceful juggling act of robust emotions and sophisticated ideas.
Kate Hennig’s play brings the drama of the Tudors to the present day.
A one-man show about loneliness, longing, and social media-enhanced isolation, and a dance theatre piece exploring call-out culture through a comic book lens.
How does circus take on death and memory? In collaboration with a hospice for young people, Flipside Circus attempts to look at mortality.
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